Two ribbons of flowing energy, one magnetic the other electrical match vibrational levels at the horizon creating loops of energy. These figure 8 flows are actually disc shaped and like other aspects have bands of time-oriented harmonics, ascending and descending in the strata of inner horizon “tones”.

The figure 8 flows over and under the event horizon of the octahedron’s shell. It is only here, when all come into mutual agreement, that the physical is created. (Physical is a vibration of three-dimensional perception that our senses, with conscious awareness, can interpret into a reality.)

In the above diagram three matched ribbon zones are co-creating along different levels of octahedron shells. In this diagram it is only the middle zone that our perception matches with a vibration we call the physical plane.

There is no such thing as separate elements. They are only time phases of the complete axis ribbon cycle. In fact all elements are time frame segmented portions of source energy flow. This time frame refers to elements only as “reality time” is a specific level of perception. There are actually two types of physical time perceptions (more later on). The central octahedron shells and their facets dictate element time frames. This happens as the main axis ribbon flow rotates around the octahedron structure. The influences of different octahedron facets allow the energy to express certain characteristics of each facet (octahedron shells being gradients of each facet). Each of these phases in the cycle are called an element but it is still the same ribbon flow, just different in time cycle and angle of its flow. Perception of time is interlocked with our perception of the elements, within our reality, so the ribbon energy flow is also linked to reality time perception.

This is the basic creation of all elements we know and it will be the creation of ones that we have not yet designed. As one element (one facet of the octahedron) spirals into its adjacent octahedron facet its energy and vibration shifts into what we see as a new element. This is because on this new octahedron facet’s face it comes under the influences of different “parental” spheres (and their energy, all from the original 8 pack). This continues down towards the event horizon were elements start radiating outward (as described in the Horizon section). At this point the element’s energy evolves back to “birth” flow again as the sphere/cube level picks up its energy and recycles it into higher tones.

The periodic table (which is not arranged properly) is merely a time sequence chart of the ribbon’s co-creation within the structures. 

                          Shown horizontally, but it does not take much imagination to see this figure 8 flow at play in the above galaxies.

One flow, one element, that is until it reached another horizon or octahedron shell and a new vibrational level.

The ratcheting of the 8 pack twists its octahedron core and with this the main ribbon follows. This creates the individual octahedron’s facets. It is within the ratcheting of the main ribbon spirals that twists the core octahedron into its unique geometry. This influences the 45-degree flows and core ribbons expression into different elements.

A balance of flow between the sphere's main ribbon flows also supports the creation of the marginal areas of the electromagnetic flow.

When all comes together (top right of diagram) the elements are created and in their “time cycle”.

Ohio Serpent Mound at the top with a dowsing diagram by James Conley. The wavy part of the mound is the outline of the part or slice of the spiral that is exposed to the surface of the land. The spiral mound on the left side of the mound is the representation and a reminder of what is being observed. There is nothing special about Serpent Mound’s shape if you are a shaman. The colored photo below this shows the same  understanding. It is from Bates Wells, Sonora Desert, Arizona.

Common sense would tell a person that in ancient days the only icons in their world would be those of the natural world. This would be a world of plants, terrain, and animal life. In those days if you saw spiralling energy how would you describe it? The snake is a perfect icon for spiralling energy. Shamans can see and feel this energy as its all around us. It comes into our reality in different sizes and angles, but it will always be in relationship to other energy structures. You do not need aliens or star constellations, just awareness that there is more around us, than what or eyes tells us.

This is James Conley’s description of the dowsing at Serpent Mound:

“On July 25, 1998, Shakura, Bob and I journeyed to Serpent Mound, located in Adams County, Ohio. All of the previous mounds where we had dowsed were conical mounds that displayed a similar pattern of energy. Since this was the first effigy mound that we were going to dowse, I had no idea what to expect. We started at the tail, which was coiled into a tight circle, and all of us found a radial pattern focused at the center of the circle, similar to the energy pattern at the conical-shaped mounds. I counted 59 lines, all spreading out from the tip of the tail. As we proceeded along the curves that represented the body of the serpent, we started detecting lines that were perpendicular to the serpent's spine, similar to the shape of a ribcage. I counted about one line for every other step that I took. We also found a line running along the top of the curves that corresponded to the center of the serpent's spine. The other end of the effigy has an oval shaped mound. At this end, we located another radial pattern. I counted 72 lines as I walked around it. In the museum, there was a display of a serpent's skeleton arranged in the shape of the mound. I was amazed to see the similarities between the energy map I had just drawn and the skeletal structure of the serpent. Other than the radial symmetry at the head and the tail, the energy map and the skeletal structure looked identical.” - http://members.ee.net/jconley/

Misconceptions of Deciphering Petroglyphs

Modern minds try to understand what ancient shamanic minds have created. It is not what it always appears to be. Here are some actual glyphs created by a shaman from the 1800s.