The Ratchet
It
gets very complicated from here on and unfortunately would encompass a
great amount of explanation to fill in all the gaps. On extremely basic
levels I need to start from the beginning again with the layers of equal
sized cube/spheres. See the layer as a three dimensional grid (cube
diagram below). Billions of these nonphysical harmonic layers occupy the
universe. They also stretch down and up in proportional sizes, but never
intermixed in the layers. Each layer would be a different vibration and
not occupy the same dimensional structure. All vibrational levels
(relevant to size) are independent from smaller or larger layers.
As consciousness enters the system it will resonate to its level of
vibration (size of cube/sphere. With this injection the movement is
initiated, as consciousness is the only aspect that can create movement
outside the basic background “god” level.
It enters into its resonate
layer and creates a twist in the structure (starting from the center of
the sphere). This twist diverts the energy into a replica sphere moving
it into the layer below (or above – depending on injection’s direction).
The original cube/sphere structure does not move out of its static
position. The deflected energy creates a mirrored dimensional double
that divides itself from the static background. It is an energetic
waveform or complete shadow of the original sphere/cube structure.
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The ratchet of the 8 pack from above. |
Ratcheting starts at the center and twists outward. It is responsible for all geometric shapes (Sacred Geometry) |
Jenny harmonics showing progression of ratchet as frequency is raised. |
An incredible Jenny photo showing the shift from one state to another.
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Science has detected the structure, on one level; as far back as a hundred years ago. Today they call them Buckyballs. Buckyballs are a three dimensional shaped aspect of the Universal Grid. A ratcheted structure that vibrates at a different rate than other structural forms of the Universal Grid. Basically it is all about what can detected using our current limited technology. 15 July 2015 - Nature Magazine |
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In the above diagram, to the left, I show a side view of this ratchet.
The bottom two spheres being overlapped by the third sphere (in this
case moving from above) creating the Vesica Piscis (called a Patch).
This movement creates three Vesica Piscis with a concentrated multi
energetic triangular shape in the middle. This center structure is
called the Patch Head and has common ground to all three patches. |
Some ancient diagrams demonstrating this knowledge.
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In the above diagram one can see the complexity of this simple ratchet,
shown with a small number of shells. This two-sphere combination allows
for the mixing of each parent sphere but this is where it ends. Two
spheres are a two dimensional balanced state after the mixing is
complete. It creates a mixing of energies as the individual spheres have
their own unique flavours. Added to this are shells with variant
vibrational levels of their own.
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Three patches, each sharing unique properties with their co-creative
“partners”. |
In the above diagram of overlapping spheres or orbs, #2 rotates into
#1and #3. The red “1” in the middle of the patch would be a balanced
state of the two orbs. The variants on the sides, 1a to 1-a are degrees
or the flavours of the two orbs. As the third orb #2 ratchets down into
the other two it adds even more movement and variety of vibrational
energy. The third orb of sphere enters into the balanced two-dimensional
state (of two spheres) and creates an imbalanced state or movement
within the bottom two spheres patch. This now becomes a
three-dimensional conscious structure. |
Each one of these sectional pieces of the three spheres (numbered 1- 6)
could be called realities. All this is in just the top part of the patch
called a Patch Head. The Patch Head is the combination of the three
patches and shares energy from each of the three and their inner shells. |
With just showing the outer shell of the three you can clearly see how
the patches and the central Patch Head is created. With more inner
shells replicating the outer ones it creates a multi shelled patch head.
The outer sphere’s strings create shells with their crossing of each
other. These new patch head shells create the outer and inner dimensions
of the patch. Remember, these strings are dual flowing energy helixes,
which are now converging into one area of common ground. (What are not
shown in the above diagrams are the many inner spheres of the three, as
described prior). With the other sphere shells included they would
create patches within patches called Patch Shells. The spheres are
moving energy that gives the illusion of “rotating” energy and this
rotating energy carries on into the patches. So as three spheres rotate
into one another you have spiraling vortexes of energy that create the
patch, as seen in the below representation.
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Each patch also has a central energy axis (more on Patches later, as we
get closer to the physical realities). |
In the diagram below the ratcheting of three spheres creates the 45
electromagnetic flow. It forms a patch along the 45 degrees with its
central axis called the “45 Degree Axis” of the electromagnetic flow. In
the diagram below one can see three patches (Vesica Pisces) being
created between the top sphere and the lower ones. As an example only,
the right top sphere rotates into the bottom two which starts the energy
to spin around the 45 axis. This spiralling allows for many different
angles or variants of the electromagnetic axis (as seen in the above
diagram). The 45 represents the purest of the energy flow so all
defections or variants will have different flavours of the participation
sphere energies. |
The above diagram is a representation of one of the 45-degree spiral
ribbon and its inner spiraling ribbon shells. Each degree or variant
will have its own ribbon of angular “cone” shape. As these energy cones
have supportive vibrational capacities they too will be associated with
physical forms including animals and other life forms. (More information
further on). As a reference I have been told that my connections lie
towards the 54-degree flow. |
In the above diagram a 45-degree energy line with opposite flowing
ribbons would produce ascending and descending wavelengths of flow. This
would result in some parts of the complete flow being matched to each
other in wavelength, while others
would not. It is at the matched or balanced sections that time and
physical creation can take hold. I have been told that typically only
one galaxy or physical dimension would be created on anyone of the
45-degree lines of an 8-pack system. In the above diagram I show how two
logarithmic ribbons flow across one another would have certain areas of
matching frequency or vibrational mirrors of each other. At these
“balanced” zones time framed physical reality possibilities take place
(if consciousness was in agreement).
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45-degree lines have octahedron shells as their horizons. In this
diagram a combination of 2 logarithmic balanced ribbons pass through an
octahedron shell to create the physical dimension.
As referred to in the horizon section above the 45-degree angles have
their horizons also. These are on different dimensional levels but are
still called horizons, or 45 Horizons by the “other side”. They are
created from the crossings of the 45 degree ribbons and the octahedron
shells, the “organizer of the physical” (shown below). |
The Elements
The element subject is huge so I will not burden the reader with any
more details than an introduction. This introduction is necessary so the
physical elements, the ingredient for the physical reality, can be
placed into the structure topic. Recording the entire element teachings
would take a couple of books, but if the reader wants more on this
subject there are completed books by Water Russell that can be purchased
or downloaded free. Walter’s books provide very accurate information on
the formation of elements and their position to one another. This
material is not currently recognized by any models of science, yet!
I was not aware of Walter’s work when I was being taught the material
for this website. I had been immersed in my teachings for a number of years
when by accident I came across one of Walter’s books. I saw immediately
this was the same material that I was being taught, and had to get my
hands on what he had come up with. Tesla once told Walter that his work
is a 1000 years to advance for this world and should be hidden until
then. I disagree with Tesla as I think humanity will be ready for this
material in a couple of generations, and the introductions should
continue as a prep until this time. What is the most impressive part of
Walter’s work is his outlining of the element stages. It is because of
his extensive work into the “periodic table” that I have not bothered to
go any further than this introduction, which has some variants to or
additions to his material. The main difference is that Walter did not
see the 45 connection or he just decided to ignore it for simplicities
sakes. It could also be a case (which I was told) that it all comes down
to perception and one's viewing angle (see introduction diagram).
The two easiest introductory books of Walters are “A new Concept of the
Universe” and “The Secret of Light”. There are also a couple earlier
books that can be downloaded free off the net. (Which deal more with the
basics of the subject, and are somewhat “overly stated”). Links to the
books:
The Universal One
– Information starts at Page # 91….
http://abundanthope.net/artman2/uploads/1/THE_UNIVERSAL_ONE.pdf
The Russell Genero – Radiative Concept
–
http://www.scene.org/~esa/merlib/WR-GRC.pdf |
Keeping in mind all that has been introduced in the prior sections there
are two things one must keep in focus. The first one is that the basic
background structure remains intact regardless of its size or movement,
and with this is a repeated design throughout the dimensions, from the
atomic level to a galaxy. Along with this, remember that even the most
complex patterns will have this underling basic support structure. This
would be cube/sphere, spiralling ribbon, and so on, for they are always
in the background, even if the creation is in a different dimensional
level or size. The second thing to keep in mind is that patterns evolve
into more complex forms as the harmonics shift into complexity. The
bottom line; complexity cannot exist without the basic tones that gave
rise to its creation.
In the last diagram (above) I have created a representation of the main
energy flows connected to the 45-degree axis. When combing the above
sections of “45” and “The Ratchet” the result produces the 45-degree
axis. This duel helix of 45-degree energy flows (8 in number) into and
out of the core of the cube/sphere, passing through the octahedron
shells (residing on a different level). As magnetic flow enters the
cube/sphere structure from its core the opposite balancing flow of
electric energy is ejected from the 8 corners back into the cube’s core.
Both electric and magnetic enter and exit from different
dimensional structures but are still the same energy. Their difference
is a product of their exit points. That being the sphere’s center and
the cube’s corners. The energy is the same level but inner dimensions of
the sphere, as compared to the cube will have different interpretations
of this energy. In the physical level it is expressed at the 45-degree
horizons, from sphere core horizon moving up through the different
horizons the energy is expressed as magnetic. The opposite expression
comes from energy flowing via cube corners and exiting into the core of
the sphere’s horizon. In the physical structures this results in
magnetic flow expanding outward (radiation) and electric flow
compressing inward to the core (gravity).
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All energy flows are “filtered” by the event horizons regardless of
their level and angle. As explained in prior chapters, the octahedron
has shells and each of its 8 facets or sides will be composed of stacked
layers or bands of different harmonic octahedrons. Octahedron inside
octahedron, with all of them deriving their creation from the original 8
pack and its layered shells. Each of these octahedron shells will have
their unique flavour and thus a specialized “filter”, as compared to its
neighbours.
With each facet of the octahedron having aspects from its parent spheres
(from the 8 pack) the 8 different electromagnetic flows become
individuals from one another. Each of these 8 electromagnetic flows
encountering “interference” at the spinning horizons creating a looping
effect in their flows that resembles a figure 8 pattern. |
Like the main 0-180 axis the spiralling ribbons of the opposing
45-degree flows create figure 8 loops of energy at the octahedron
horizons. However, this time the 45 axis flow differs from the main
event horizon as it belongs to the physical level. The flow of the main
0-180 has no physical level capacity but in the electromagnetic angle,
the physical elements are the product of interaction with the octahedron
shells. That is if all of it falls within the perfect balance with
underlying energies and structures. |
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